Concert Response 7: Choose an Opera

For this Concert Response, you will write in your own words about an opera of your choice, selected from the list below. All of these performances have been recorded previously and (with one exception) are available via online streaming platforms to which the UW library holds an institutional license. For more information about accessing library resources remotely, please see this page
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Eligible opera performances for this assignment are:

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Henry Purcell, Dido and Aeneas (1689). Performed by Voices of Music and the San Francisco Girls Choir. Sung in English. Recorded in June 2018. Run time: 55 mins. Available on YouTube
(Links to an external site.)
. Purcell’s best-loved work, performed here with newly reconstructed parts for an all-girls choir, as in the original performance.
Engelbert Humperdink, Hansel and Gretel (1893). Performed by the Metropolitan Opera. Sung in English. Recorded in January 2008. Run time: 2 hrs. Available at Met Opera on Demand
(Links to an external site.)
(off-campus login required). Comic adaptation of the fairy tale from the Brothers Grimm.
Alban Berg, Wozzeck (1925). Performed by the Metropolitan Opera. Sung in German with English subtitles. Recorded in January 2020. Run time: 1 hr 51 mins. Available at Met Opera on Demand
(Links to an external site.)
(off-campus login required). Disturbing, shockingly dissonant pyschological drama based on a play that was based on a true crime of the early nineteenth century. Trigger warning: scenes of violence, including a murder by a domestic partner.
Philip Glass, Akhnaten (1983). Performed by the Metropolitan Opera. Sung in English. Recorded in November 2019. Run time: 2 hrs 52 mins. Available at Met Opera on Demand
(Links to an external site.)
(off-campus login required). Acclaimed production of a minimalist opera about the life of the ancient Egyptian pharaoh Akhnaten.
Kaija Saariaho, L’amour de loin (2000). Performed by the Metropolitan Opera. Sung in French with English subtitles. Recorded in December 2016. Run time: 2 hrs 21 mins. Available at Met Opera on Demand
(Links to an external site.)
(off-campus login required). Dreamlike production of this haunting classic by the Finnish composer Saariaho, based on the life of the medieval troubadour Jaufré Rudel.
John Adams, Doctor Atomic (2005). Performed by the Metropolitan Opera. Sung in English. Recorded in October 2008. Run time: 2 hrs 46 mins. Available at Met Opera on Demand
(Links to an external site.)
(off-campus login required). Moving dramatization of the Manhattan Project and its director, J. Robert Oppenheimer.
Unsuk Chin, Alice in Wonderland (2007). Performed by the Nationaltheater München (Munich, Germany). Sung in English. Recorded in 2007. Run time: 2 hrs 3 mins. Available at medici.tv
(Links to an external site.)
(off-campus login required). Very contemporary (and often dissonant) take on Lewis Carroll’s classic by Chin, a South Korean composer based in Germany.
Alma Deutscher, Cinderella (2017). Performed by the San Jose Opera. Sung in English. Recorded in 2018. Run time: 2 hrs 32 mins. Available at medici.tv
(Links to an external site.)
(off-campus login required). The first opera by a precocious teenager from England.

In your response, focus on describing and evaluating the performance. At minimum, you should answer these basic questions: Who was playing or singing? How did what you have learned in this course guide your experience as a listener? Did you enjoy the concert? If so, why? And if not, then why not? The strongest submissions will exceed these minimum requirements by offering additional observations or insights about the performance.

Your response should be approximately 350-500 words in length, and we will assess it according to the following criteria:

Description. Your response should describe the works performed, the performance, and the virtual concert format. Your response should link the concert to other course materials.
Vocabulary. Your response should accurately and appropriately incorporate vocabulary from the Materials of Music module.
Evaluation. Your response should offer an evaluation of the concert that is well supported by the description and analysis.
Mechanics: Your response should be readable, with few grammatical mistakes, spelling errors, and other issues of writing mechanics.

Please be sure to proofread your submission. The rubric we will use to score your responses is available here. Sample responses from a previous Concert Response assignments are available here.

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